1.1. The 1st edition of the International Conducting Competition Rotterdam (“ICCR”) will take place at De Doelen, in Rotterdam, the Netherlands, from 21 May until 4 June 2021.
1.2. The ICCR is organized by the ICCR Foundation. The Board of the Foundation is advised by the Artistic Advisory Committee.
1.3. The official language of ICCR is English. Basic understanding of the English language is required from the applicants.
1.4. ICCR is open to professional conductors of all nationalities who are at least 23 years and maximum 35 years of age at the start of the Competition (i.e. 21 May 2021).
1.5. ICCR strives to be an objective event and thus requires from all participants AND jury members to avoid conflicts of interests. ICCR should be notified during the application if the applicant has been taught on a regular basis by any of the jury members.
Though, it is understood that it is likely that members of the Jury may be acquainted with some participants in the competition because of past associations (for example previous competitions, music festivals, masterclasses, or enrollment at academic institutions).
1.6. ICCR consists of three phases:
a. Pre-selection based on pre-recorded material;
b. Selection Rounds (two rounds);
c. The competition (six rounds).
1.7. All decisions of the Jury, the Artistic Advisory Committee or the Board of ICCR Foundation shall be final, and no correspondence will be entered into regarding its decisions.
2.1. Applications will be accepted until 01 July, 2020.
2.2. Applications will need to be submitted by way of the online form, which can be found at www.iccr.nl
2.3. Applications must include the following:
2.4. The Board of ICCR Foundation shall decide on the admission of participants to the International Selection Rounds in consultation with the Artistic Advisory Committee. If necessary additional information may be requested.
2.5. All applicants are required to pay a non-refundable application fee of 150 Euro upon applying. The fee excludes PayPal charges. Only applicants who have paid their fee before 1 July 2020 will be reviewed by the pre-selection jury.
3.1. The pre-selection round takes place between 1 August and 1 October 2020
3.2. The pre-selection jury will consist of 6 jury members, including the jury members present for the Selection Round Phase.
3.3. The pre-selection is based on the provided materials of the applicants.
3.4. The pre-selection will have two phases:
3.5 In case of equality of votes, a separate vote will be held for the tied participants.
3.6. The results of the pre-selection will be made public on 19 October 2020.
4.1. The Selection Rounds are scheduled to be held in Rotterdam on 14, 15, 16 and 17 December 2020.
4.2. The Selection Rounds consist of two consecutive rounds:
a. SR Round 1 – With Codarts/KonCon Orchestra (14 & 15 December 2020)
b. SR Round 2 – With Sinfonia Rotterdam (16 December 2020)
4.3. A maximum of 24 nominees will participate in Round 1. A Maximum of 12 nominees will advance to Round 2.
4.4. The performance time for each of the selection rounds will have a set maximum duration of:
a. SR Round 1 – 15 minutes
b. SR Round 2 – 30 minutes
Nominees are expected to finish within the given timeframe.
4.5. The jury will be strict about the prescribed performance durations.
4.6. Repertoire Selection Round 1
a. Brahms – Symphony no. 3 F major opus 90 – I ‘Allegro con brio’
b. Debussy – L’après-midi d’un faune L.86
c. Ravel – La Valse
d. Strauss – Till Eulenspiegels lustige Streiche opus 28
4.7. Repertoire Selection Round 2
a. Haydn – Symphony no. 90 in C major Hob I:90 – I ‘Adagio – allegro assai’
b. Haydn – Symphony no. 98 in B flat major Hob 1:98 – III ‘Menuetto: Presto & IV ‘Finale: Presto’
c. Mozart – Overture Don Giovanni KV527
d. Mozart – Overture Die Zauberflöte KV620
e. Beethoven – Symphony no. 2 in D major – I ‘Adagio molto – allegro con brio’
f. Beethoven – Leonore Overture no. 1 in C major opus 138
4.8. The selection rounds are structured as ‘open rehearsals’ during which participants are free to decide how they want to devote their time.
4.9. Nominees should be available for the whole period of the Selection Rounds (Arrival on the 14th, departure on 19th of December). The exact date and time of performance will be announced shortly in advance.
4.10. Participants of the Selection Rounds must arrange and pay for their own travel. Accommodation in Rotterdam will be provided.
4.11. The Selection Rounds shall be held in public.
4.12. The Selection Jury shall decide on the admission of 6 winners designate to the Competition.
4.13. The Selection Jury has the right to advance the highest scoring female participant as one of the 6 winners designate in case all top 6 conductors are male. In favor of the lowest scoring participant of that group.
5.1. All rounds of ICCR will be held at De Doelen, Rotterdam. Except round 4, which will take place in an outdoor location in Rotterdam (to be announced). The playing schedule is as follows:
a. Round 1 – with Doelen Ensemble (21, 22 & 23 May 2021);
b. Round 2 – with Orchestra of the 18th Century (25, 26 & 27 May 2021);
c. Round 3 – with Budapest Festival Orchestra (28 & 29 May 2021);
d. Round 4 – with Sinfonia Rotterdam (24, 29 & 30 May 2021)
e. Round 5 – with Rotterdam Philharmonic Orchestra (1 & 2 June 2021);
f. Round 6 – with Rotterdam Philharmonic Orchestra (3 & 4 June 2021).
5.2. Every round consists of two rehearsals and one concert, of which the first rehearsal will be closed for public and the second rehearsal and concert shall be held in public.
5.3. The performance time for rehearsals will have a set maximum duration of:
a. Round 1
b. Round 2
c. Round 3
d. Round 4
e. Round 5
f. Round 6
Nominees are expected to finish within the give timeframe.
5.4. The performance time for the concert is limited to the duration of the prescribed work.
5.5. All 6 winners designate will perform during all six rounds. During every round only 4 conductors will be selected (after the second rehearsal) to perform during the evening concert.
5.6. Winners designate should be available for the whole period of the competition and are obliged to perform in every round.
5.7. The sequence of performance will be decided by one drawing of lots, which shall take place on 17 December 2020. The order also determines the repertoire that is to be performed. Deviation from the determined order can only be decided on by the chairman of the Jury and shall only be permitted in exceptional cases.
5.8. Each winner designate will perform with the same soloists during Round 3 and 5.
5.9. The jury will be strict about the prescribed performance durations.
6.1. General observations:
a. The set repertoire is compulsory for every participant;
b. The jury will determine the final selection of pieces to be performed by each participant, unless noted otherwise;
c. The selection of works for round 1, 2, 3 and 5 will be announced to participants on 18 December 2020;
d. The selection of repertoire for round 4 is free (given the set perimeters seen below), but will need to be confirmed by the jury (not later than 18 December 2020);
e. The selection of repertoire for round 6 will be determined by the jury on 31st May 2021.
6.2. Round 1
One of the following works:
a. Schoenberg – Kammersymphonie no. 1 opus 9 in E major
b. Unsuk Chin – Gougalon
c. Ligeti – Kammerkonzert
6.3. Round 2
A selection of three works, one from each category:
6.4. Round 3
One of the following sets of pieces, containing one movement from a violin concerto AND one movement from a piano concerto.
a. Bartók piano concerto no. 3 in E major Sz. 119, BB 127 – II ‘Adagio Religioso’
Sibelius Violin Concerto in D minor opus 47 – III ‘Allegro (ma non tanto)’
b. Sibelius Violin Concerto in D minor opus 47 – II ‘Adagio di molto’
Bartók piano concerto no. 3 in E major Sz. 119, BB 127 – III ‘Allegro Vivace’
c. Bartók piano concerto no. 2 in G major Sz. 95, BB 101 – II ‘Adagio – Presto – Adagio’
6.5. Round 4
Free choice of repertoire, bearing in mind it should:
6.6 Round 5
One of the following sets of pieces from Bizet’s Carmen:
a. Selection 1
b. Selection 2
6.7. Round 6
A selection of two works consisting of:
a. Obligatory work:
Joey Roukens – new commissioned work
b. AND one the following works:
6.8. Participants of the International Selection Rounds are not allowed to change their choice of repertoire for Round 4 after 31 January 2021.
6.9 Participants are required to cooperate with all media activities that ICCR provides, including interviews, photo-shoots and additional performances. All interviews will be held in English; basic knowledge of the English language is required.
ICCR distinguishes the following prizes:
7.1. Six specialist prizes, one for each of the competition rounds:
7.2. Grand Prix
7.3. Kersjes fonds Audience Award
7.4 Career Development Programme for all Prize Winners, including:
7.5 Taxes shall be deducted from prizes in accordance with Dutch tax law in effect at the time of the Competition.
7.6 The Prize winners shall be obliged to fulfill the appearances attached to their prizes. Should a Prize winner remain in breach of this, he/she can lose his/her claim to prizes, awards and appearances; on such matters, the Board of ICCR Foundation shall decide.
7.7 Prize winners must, if requested, present a maximum of three events for the benefit of the Competition, for which ICCR Foundation shall pay no fee, but shall reimburse the costs of travel and accommodation.
8.1. The competitors will be assessed based on a ranking system.
8.2. The Ranking system works as follows:
8.3. The jury of the final six rounds of ICCR will consist of three parts:
8.4. The average ranking of the complete jury (part a, b & c) will determine one winner for each round.
8.5. The Grand prix winner will be determined by the average ranking of all judges of the whole competition.
8.6. Every jury member is always required to attend all sessions (rehearsals and concert) of a single round.
8.7. The jury will need to award all prizes. The sharing of a prize is not possible.
8.8. Should a participant be a regular student of one of the members of the jury, the latter will refrain from the jury voting in respect to such a participant.
8.9 Persons related to any Jury member either by direct line or as an in-law to the third degree are excluded from taking part in the Competition.
8.10. Participants shall not communicate with jury
members for as long as they take part in ICCR, nor shall any other person communicate with the jury members on behalf of any participant. Violation of this rule will result in automatic disqualification from the Competition.
9.1. ICCR will supply the following to all six designate winners:
a. Reimbursement of pre-agreed reasonable economy travel expenses to and from The Netherlands with a maximum of 1.000 Euro (proposed travel arrangements should be discussed with ICCR timely in advance);
b. Free accommodation for the duration of the competition (from 19 May till 5 June 2021);
c. All local transport;
9.2. Accompanying individuals including family members must make their own travel and or accommodation arrangements.
10.1. ICCR accepts no liability of any kind whatsoever for any personal illness or injury sustained by the participant, nor for loss or damage to a competitor’s belongings during transit or while at the Competition. Medical costs, of whatever nature, will not be reimbursed by ICCR.
10.2. Obtaining appropriate travel documents, visa and insurance is the sole responsibility of each competitor.
10.3. Host families shall not be held responsible for accidents or damage of any kind which may befall the participants, with the exception of those accidents that fall under third party insurance.
10.4. Participants must be free of professional obligations during the entire Competition period.
10.5 All communication between ICCR and the participants will be directly, without interference of any third parties or artist managements.
11.1. By submitting the online application form, applicants state their agreement:
a. with all articles in the Rules & Regulations;
b. with all ensuing engagements as part of any prize;
c. that all concert and recording engagements obtained by the Competition or its designates as part of the prizes will not be subject to any fee or commission payable to the prizewinner’s current or future artist management;
d. that ICCR is authorized to record, videotape, film, broadcast, and/or photograph any Competition concerts or events for any purpose, without payment of any fee. All rights, including copyright in such media shall vest in and be solely owned by ICCR Foundation in perpetuity.
e. that ICCR is authorized to collect, store and use their contact details for purposes connected to the competition and future activities of ICCR. No commercial third party will receive these contact details.
All rights reserved; dates and locations subject to change.